Early in his career, he would purchase vintage garments to examine their construction and learn from them.īut he also fell in love with the unique colors of old clothes, whether weathered by the sun, abrasions, too much laundering - or not enough. Interviewed in a dimly lit hotel suite with a faint BDSM decor, the designer also explains how much flea markets had a broad impact on his aesthetic. “There is not only one kind of beauty,” he stresses. Gaultier adored her stature, bleached hair and boyish allure. His plays on gender were inspired by people like Edwige Belmore, a club character in the ’80s and ’90s anointed the “queen of the punks” by party people in Paris. It’s all special effects.”Ī culture originator extraordinaire, Gaultier has been there, done all that several decades ago, simply eager to exalt different kinds of beauty. He is already relishing that “with animation, you can even do things that are not possible in reality. The designer famously costumed several big movies, including “The Fifth Element,” “The City of Lost Children,” “Kika” and “The Cook, the Thief, His Wife & Her Lover,” but this marks his first stab at a cartoon. “That’s so funny because it will also speak about what I know - fashion,” he says with a chuckle.
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He also let slip that he has a new entertainment project up his striped sleeve: He’s been tapped as artistic director of a new animated feature film, with more details to be revealed this summer. “Fashion Freak Show,” his autobiographical all-singing, all-dancing revue that debuted in Paris to acclaim in 2018, is heading to Milan’s Teatro Arcimboldi for a two-week-plus run starting March 7, followed by a three-week engagement at Barcelona’s Teatro Coliseum kicking off April 4. While he officially retired from the runway in 2020 with an unforgettable song-and-dance extravaganza, he continues to help recruit guest couturiers at the Paris fashion house that bears his name, owned by Spanish beauty and fashion group Puig, and to sketch ideas daily.Īnd his penchant for show business hasn’t diminished.
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“I never start any project with a goal, other than ‘I would love to that.’ To enjoy doing it is the most important thing.” “I was never a designer with a business vision, and I never had the ambition to become a master of the universe,” he says matter-of-factly, describing fashion design as a beloved game he has never tired of playing. Contrary to most heritage players in France, he started with ready-to-wear, added couture much later, relied heavily on licenses, and started opening boutiques almost as a last step. 53,” he says about the record, laughing anew at his dalliance as a recording artist.Īs exuberant today at age 71 as he was in the “How to Do That” music video, Gaultier admits his fashion house developed in an unconventional, and sometimes even “chaotic” way. “It was supposed to make the top 50, but I only made it to No. From Chanel to Schiaparelli: WWD Styles The Latest Couture